I started writing the treatment for b l u s h in January 2018. Now, one year later, my talented editor Ali Read and I have a complete rough cut of the film, accompanied by a work in progress score by friend and longtime collaborator Joe Bradford.
We’re heading into the next stage of the editing process where we will fine-tune scenes and shape the direction of the film. Our goal is to finish before the trees bloom in the spring.
I truly believe we’re on the verge of creating something truly special that sparks conversation in new, refreshing ways. I’m thrilled to move closer to completion and share it with you later this year.
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